Okka Magadu Songs Download Mp3

Audio of Balakrishna, Anushka, Nisha Kotari, Simran starring Okka Magadu is released today at Cyber Gardens, Silparamam. The event is attended by Who is Who of the film industry. YVS Chowdary directed and produced this film on Bommarillu banner. Turn out was huge and it became an impossible task for the security. The venue could not accomodate the turn out and this disappointed some fans. An estimate of about 3000 fans came from around the state to see the event. Dasari Narayana Rao, Raghavendra Rao presided over the event as chief guests. SS Rajamouli, Boyapati Srinu, Srinu Vaitla, AS Ravikumar Chowdary, Nandamuri Ramakrishna, Krishna prasad, Ramyakrishna, Anushka, Charmi, Sanghavi, R Narayana Murthy, B Gopal, sagar, C Kalyan, Mani Sharma and others attended the event. Mani Sharma composed music for this film and Supreme Audio company is releasing the music into the market.

Talking during the event, SS Rajamouli said, ‘Even though there were hits and super hits in the film industry, there is no film that shook the box office. That is because the lion is resting now. The lion will roar again on 11th of January (release of Okka Magadu). That roar will prove what collections and shaking the box office means. I wanted to be part of the fans in this event but I was pulled on the stage’. Referring to YVS Chowdary, he said, ‘He is the Okka Magadu (only man) who can make such films. This film will surely be a festival for all the fans. It will surely break all the records’.

Boyapati Srinu added to the words of Rajamouli saying that it will be the songs of Okka Magadu through out Andhra from tomorrow and after 11th Jan, every one will talk about the film only. Srinu Vaitla said that YVS is a die hard fan of NTR. ‘His wish of making a film with NTR is fulfilled this way’.

R.Narayana Murthy is the speaker who created an ignition with the fans. He said the fans should mature from saying Jai Balayya Jai Balayya to “raa Balayya.. Rajakiyalloki raa” (come into Politics Balayya). ‘If the fans insist, he will surely come into politics. And he is the prospective Chief Minister of Andhra Pradesh’, said Narayana Murthy.

Ramya Krishna said that she is waiting to watch the film.

Dasari Narayana Rao said, ‘Late NTR is one of the most respected artists of India. And coming from that is Balayya. He alone is capable of films like Okka Magadu. Before this event, Balayya told me a dialog from the film. I can tell you one thing. Fans will go crazy in the theaters for that dialog. All those who are looking to break the nation into pieces on basis of caste and those who are trying to enter politics in the name of caste will feel ashamed with this dialog. There are several dialogs in the film that run that way. As a producer, YVS considers every film to be a penance. As a director, he sculpts it. I am sure the box office records will be rewritten with this film coming in this combination’.

YVS Chowdary said, ‘I am a die hard fan of NTR. I came into movies with pure passion. But my desire to make a film with late NTR would have remained unfulfilled for ever. But with Okka Magadu, that desire is fulfuilled. Some scripts can be done by only particular heroes and this script of Okka Magadu is only tailored for Balayya. If he did not agree to do this project, I would never have attempted it with anyone else.’

Balakrishna remembered the words that late NTR said during a function in Vijayawada referring to the turn out; ‘Nela eeninda.. leka akasam bhoomi paiki valindha’. Balayya then thanked all his fans who came to the event from across the state. Talking about the film, Balayya said, ‘I am two different kind of roles in the film. YVS Chowdary moulded it in his own special way. I dont want to reveal anything more. And also the film has plenty of punch dialogs. Pranalatho chelagatamadevari pranalu theestha.. pranalu pose variki naa pranalaina ista is a dialog from the film. There are plenty of them. Mani Sharma gave excellent music for the film. All of them will be super hits. For all my fans this will turn out to be another festival. Wait is just until 11th January’.

Directed by Y.V.S. Chowdary
Produced by Y.V.S. Chowdary
Written by Y.V.S. Chowdary, Chintapally Ramana

Starring Balakrishna, Anushka Shetty, Nisha Kothari, Simran Bagga

Music by Mani Sharma
Cinematography Madhu A. Naidu
Editing by Kotagiri Venkateswara Rao

Click below to download Okka Magaadu Songs
Read the disclaimer before downloading

01 : Okka Magadu
02 : Kya Bay
Click here to download mp3

Led Zeppelin Set List

Led Zepplelin have taken to the stage at the O2 Arena in London tonight (December 10)

Currently we’re experiencing one of technical issues with our live blog, but we don’t intend to let that stop us, so we’re going to post up the set and the comments from our journalist in the hall in this news story while we get things fixed.

So while it is a bit basic, if you just refresh this news story every few minutes you’ll have the action from the Ahmet Ertegun tribute show.

The setlist was as followed:

01. Good Times, Bad Times
02. Ramble On
03. Black Dog
04. In My Time Of Dying
05. For Your Life
06. Trampled Under Foot
07. Nobody’s Fault But Mine
08. No Quarter
09. Since I’ve Been Loving You
10. Dazed and Confused
11. Stairway To Heaven
12. The Song Remains the Same
13. Misty Mountain Hop
14. Kashmir

Encore:

15. Whole Lotta Love
16. Rock and Roll

Download Led Zeppelin MP3

Madonna – New ‘Licorice’ Album

Madonna ‘Licorice’

Released next April, the record will be Madonna’s final album on her current record label Warner Brothers.

Earlier this year the pop star signed a first of its kind all encompassing ten-year deal with tour company Live Nation.

According to reports, Madonna previewed ‘Licorice’ – which features Kanye West and Pharrell Williams – to members of Warner staff earlier this week.

Two tracks from the album, ‘Candy Shop’ and ‘The Beat Goes On,’ have already been leaked online, reports Billboard.

Meanwhile, Madonna’s multi-million dollar deal with Artist Nation, a subsidiary of Live Nation, will see the company control the entire Madonna ‘brand’ – from ticket sales to merchandising revenue.

Download Madonna mp3 from best mp3 download service

Grammy Awards Nominations

Grammy Nomination : Album of the Year
Foo Fighters, Echoes, Silence, Patience & Grace
Vince Gill, These Days
Herbie Hancock, River: The Joni Letters
Kanye West, Graduation
Amy Winehouse, Back to Black

Grammy Nomination : Record of the Year
Beyoncé, “Irreplaceable”
Foo Fighters, “The Pretender”
Rihanna feat. Jay-Z, “Umbrella”
Justin Timberlake, “What Goes Around … Comes Around”
Amy Winehouse, “Rehab”
Grammy Nomination : Song of the Year
Carrie Underwood, “Before He Cheats”
Plain White T’s, “Hey There Delilah”
Corinne Bailey Rae, “Like a Star”
Amy Winehouse, “Rehab”
Rihanna feat. Jay-Z, “Umbrella”

Grammy Nomination : Best New Artist
Feist
Ledisi
Paramore
Taylor Swift
Amy Winehouse

Grammy Nomination : Best Solo Rock Vocal Performance
Beck, “Timebomb”
Paul McCartney, “Only Mama Knows”
John Mellencamp, “Our Country”
Bruce Springsteen, “Radio Nowhere”
Lucinda Williams, “Come On”

Grammy Nomination : Best Rock Album
Daughtry, Daughtry
John Fogerty, Revival
Foo Fighters, Echoes, Silence, Patience & Grace
Bruce Springsteen, Magic
Wilco, Sky Blue Sky

Grammy Nomination : Best Rock Song
Lucinda Williams, “Come On”
The White Stripes, “Icky Thump”
Daughtry, “It’s Not Over”
Foo Fighters, “The Pretender”
Bruce Springsteen, “Radio Nowhere”

Grammy Nomination : Best Rock Performance by a Duo or Group With Vocals
Daughtry, “It’s Not Over”
Green Day, “Working Class Hero”
Nickelback, “If Everyone Cared”
U2, “Instant Karma”
The White Stripes, “Icky Thump”

Grammy Nomination : Best Alternative Album
Lily Allen, Alright, Still …
Arcade Fire, Neon Bible
Björk, Volta
The Shins, Wincing the Night Away
The White Stripes, Icky Thump

Grammy Nomination : Best Hard Rock Performance
Evanesence, “Sweet Sacrifice”
Foo Fighters, “The Pretender”
Ozzy Osbourne, “I Won’t Wanna Stop
Queens of the Stone Age, “Sick, Sick, Sick”
Tool, “The Pot”

Grammy Nomination : Best Rap Album
Common, Finding Forever
Jay-Z, Kingdom Come
Nas, Hip Hop Is Dead
T.I., T.I. Vs. TIP
Kanye West, Graduation

Grammy Nomination : Best Rap Song
50 Cent feat. Justin Timberlake, “Ayo Technology”
T.I., “Big Things Poppin’”
Kanye West, “Can’t Tell Me Nothing”
Soulja Boy Tell’Em, “Crank That”
Kanye West feat. T-Pain, “Good Life”

Grammy Nomination : Best Rap Performance by a Duo or Group
Common feat. Kanye West, “Southside”
Fat Joe feat. Lil Wayne, “Make It Rain”
Shop Boyz, “Party Like a Rockstar”
UGK feat. OutKast, “Int’l Players Anthem (I Choose You)”
Kanye West, Nas & KRS-One, “Better Than I’ve Ever Been”

Grammy Nomination : Best Rap/Sung Collaboration
Akon feat. Snoop, “I Want to Love You”
Chris Brown feat. T-Pain, “Kiss Kiss”
Keyshia Cole feat,. Lil’ Kim, Missy Elliott, “Let It Go”
Rihanna feat. Jay-Z, “Umbrella”
Kanye West feat. T-Pain, “Good Life”

Grammy Nomination : Best Pop Vocal Album
Bon Jovi, Lost Highway
Feist, The Reminder
Maroon 5, It Won’t Be Soon Before Long
Paul McCartney, Memory Almost Full
Amy Winehouse, Back to Black

Grammy Nomination : Best Pop Performance by a Duo or Group With Vocals
Bon Jovi, “(You Want To) Make a Memory”
Daughtry, “Home”
Maroon 5, “Makes Me Wonder”
Plain White T’s, “Hey There Delilah”
U2, “Window in the Skies”

Grammy Nomination : Best Female Pop Vocal Performance
Christina Aguilera, “Candyman”
Feist, “1234″
Fergie, “Big Girls Don’t Cry”
Nelly Furtado, “Say it Right”
Amy Winehouse, “Rehab”

Grammy Nomination : Best Male Pop Vocal Performance
Michael Bublé, “Everything”
John Mayer, “Belief”
Paul McCartney, “Dance Tonight”
Seal, “Amazing”
Justin Timberlake, “What Goes Around … / … Comes Around”

Grammy Nomination : Best Pop Collaboration With Vocals
Tony Bennett & Christina Aguilera, “Steppin’ Out”
Beyoncé & Shakira, “Beautiful Liar”
Robert Plant & Alison Kraus, “Gone Gone Gone (Done Moved On)”
Gwen Stefani & Akon, “The Sweet Escape”
Timbland feat. Nelly Furtado and Justin Timberlake, “Give it To Me”

Best Pop Instrumental Performance
Beastie Boys, “Off the Grid”
Ben Harper and Innocent Criminals, “Paris Sunrise Number Seven#7″
Dave Koz, “Over the Rainbow”
Joni Mitchell, “One Week Last Summer”
Spyro Gyra, “Simple Pleasures”

Grammy Nomination : Best Dance Recording
The Chemical Brothers, “Do It Again”
Justice, “D.A.N.C.E.”
Mika, “Love Today”
Rihanna, “Don’t Stop The Music”
Justin Timberlake, “Love Stoned/I Think She Knows”

Grammy Nomination : Best Electronic/Dance Album
The Chemical Brothers, We Are the Night
Justice, †
LCD Soundsystem, Sound of Silver
Shiny Toy Guns, We Are Pilots
Tiesto, Elements of Life

Grammy Nomination : Best R&B Album
Chaka Khan, Funk This
Ledisi, Lost & Found
Musiq Soulchild, Luvanmusiq
Jill Scott, The Real Thing
Tank, Sex Love & Pain

Grammy Nomination : Best R&B Song
India.Arie, “Beautiful Flower”
Rihanna feat. Ne-Yo, “Hate That I Love You”
Alicia Keys, “No One”
Musiq Soulchild, “Teachme”
Fantasia, “When I See You”

Grammy Nomination : Best R&B Performance by a Duo or Group
R. Kelly feat. Usher, “Same Girl”
Chaka Khan feat. Mary J. Blige, “Disrepectful”
Rihanna feat. Ne-Yo, “Hate That I Love You”
Angie Stone feat. Betty Wright, “Baby”
T-Pain feat. Akon, “Bartender”

Grammy Nomination : Best Contemporary R&B Album
Akon, Konvicted
Keyshia Cole, Just Like You
Fantasia, Fantasia
Emily King, East Side Story
Ne-Yo, Becasue of You

Grammy Nomination : Best Female R&B Vocal Performance
Mary J. Blige, “Just Fine”
Fantasia, “When I See You”
Alicia Keys, “No One”
Jill Scott, “Hate on Me”
Chrisette Michele, “If I Have My Way”

Grammy Nomination : Best Male R&B Vocal Performance
Raheem DeVaughn, “Woman”
Musiq Soulchild, “B.U.D.D.Y.”
Ne-Yo, “Because of You”
Prince, “Future Baby Mama”
Tank, “Please Don’t Go”

Grammy Nomination : Best Urban/Alternative Performance
Vikter Duplaix, “Make a Baby”
Dwele, “That’s the Way of the World”
Lupe Fiasco feat. Jill Scott, “Daydreamin”
Meshell Ndegeocello, “Fantasy”
Alice Smith, “Dream”

Grammy Nomination : Producer of the Year, Non-Classical
Howard Benson
Joe Chiccarelli
Mike Elizondo
Mark Ronson
Timbaland

Grammy Nomination : Best Rock Instrumental Performance
Metallica, “The Ecstasy of Gold”
Rush, “Malignant Narcissism”
Joe Satriani, “Always With Me, Always With You”
Bruce Springsteen, “Once Upon a Time in the West”
Steve Vai, “The Attitude Song”

Grammy Nomination : Best Country Album
Dierks Bently, Long Trip Alone
Vince Gill, These Days
Tim McGraw, Let It Go
Brad Paisley, 5th Gear
George Strait, It Just Comes Natural

Grammy Nomination :Best Country Song
Carrie Underwood, “Before He Cheats”
George Strait, “Give It Away”
Tim McGraw & Faith Hill, “I Need You”
Tim McGraw, “If You’re Reading This”
Dierks Bentley, “Long Trip Alone”

Grammy Nomination : Best Country Collaboration With Vocals
Steve Earle & Allison Moorer, “Days Aren’t Long Enough”
Reba McEntire & Kelly Clarkson, “Because of You”
Tim McGraw & Faith Hill, “I Need You”
Willie Nelson & Ray Price, “Lost Highway”
Brad Paisley & Carrie Underwood, “Oh Love”

Blockhead

Blockhead  is an American Hip Hop producer based in Manhattan, New York. Aside from his solo efforts released on the Ninja Tune label, he is most associated with producing for Aesop Rock, a rapper for the Definitive Jux independent hip hop label. He has also previously worked with rappers S.A. Smash, Slug, and Murs, and is also member of the hip hop/comedy group Party Fun Action Committee. He is the son of Sidney Simon, who is a well known sculptor in New York City.

Buy Blockhead albums here

New Vaudeville Band – Biography

Download The New Vaudeville Band – Winchester Cathedral Album

One of the oddest one-hit wonders of the ’60s, the New Vaudeville Band — true to their name — drew from the swinging vaudeville, trad jazz, and British music hall styles of the ’20s and ’30s to create a distinctively anachronistic brand of novelty pop. The group was masterminded by producer/songwriter Geoff Stephens, who in 1966 convened a group of mostly anonymous studio musicians (including drummer Henry Harrison) to record a jaunty, old-timey British number he’d written called “Winchester Cathedral.” Though Stephens was credited as the vocalist on the track, it was later confirmed to be sung by ex-Ivy League/Flowerpot Men/First Class vocalist John Carter, who sang through his hands to simulate the sound of a megaphone (as on old Rudy Vallee records). “Winchester Cathedral” was an enormous hit, climbing into the British Top Five and going all the way to number one in America, where it also won a Grammy. Stephens suddenly needed a band for touring purposes and at first invited the similarly backward-looking Bonzo Dog Doo Dah Band to serve as the living, breathing New Vaudeville Band. Collectively, the group declined, but their saxophonist Bob “Pops” Kerr signed on, joining a lineup that featured Harrison, guitarist Mick Wilsher, keyboardist Stan Haywood, trombonist Hugh “Shuggy” Watts, bassists Neil Korner and Chris Eddy, and new vocalist Alan Klein, who performed under the alias Tristram, Seventh Earl of Cricklewood. The band issued its debut album — titled, naturally, Winchester Cathedral — in 1967, and though they were one-hit wonders in the States (in spite of their touring success there), they notched two more popular singles in the U.K. that year: the Top Ten “Peek-a-Boo” and the Top 20 “Finchley Central.” The latter song became the title track of their second album, released by Fontana toward the end of the year. In 1968, the group played a major role on the film soundtrack The Bliss of Mrs. Blossom, but their novelty was beginning to wear off with the record-buying public. The band retreated to the English cabaret circuit, where they eked out a profitable (if lower-profile) existence for some time to come; they also played Las Vegas on occasion and released U.K.-only singles in 1973 and 1976. With numerous personnel shifts in its declining years, the group finally broke up for good in 1988. Kerr, meanwhile, kept the flame of British eccentricity burning with his own Bob Kerr’s Whoopee Band

JSTO – MP3 Download

Download JSTO Album

I Just Wanna Dance

Pat Travers Albums

Download Pat Travers Albums

Download Heat in the Street

Download Makin’ Magic

Download Power Trio Vol.2

Download PT=MC2

Download P.T. Power Trio

Download Putting It Straight

Download BBC Radio 1 Live in Concert

Download Blues Tracks 2

Download Best of the Blues Plus Live

Download Lookin’ Up

Download Halfway to Somewhere

Download Blues Magnet

Download Crash and Burn

Download Just a Touch

Download Blues Tracks

Download Boom Boom

Download The Best of Pat Travers

Pat Travers – About The Band

Pat Travers – History of Band

Download Pat Travers MP3 Albums

Pat Travers was born in Toronto, Canada on April 12, 1954. Soon after picking up the guitar at age 12 Pat saw the legend Jimi Hendrix perform in Ottawa. This obvious inspirational concert must have sparked the young Pat to go after the dream of becoming a star like so many of his early influences. Inspired by such guitarists as Hendrix, Jeff Beck, Eric Clapton and Jimmy Page, Pat began playing in bands early in his teens. His first bands were “Red Hot” and “Merge” who played in Quebec area clubs. While the early years were hard, they would eventually pay off in the form of improved musicianship, style, and exposure.

While performing with Merge, he was noticed by the 50’s rock artist Ronnie Hawkins who soon had Pat off on the road performing with him. While Hawkins music was mostly old rock and roll, country and rockabilly, Pat used this experience to hone his skills and voice as Hawkins lead guitarist. After a year on the road with Hawkins, Pat traded in the tuxedoes and ties to go after his true dream, to have his own band and become a star.

At age 20, Pat with the help of some friends he moved to London in hopes of achieving his dreams. Armed with a Marshall amp, a wah-wha pedal, and a few hours of studio time Pat recorded a demo that soon earned him a recording contract with Polydor. Releasing his debut album “Pat Travers” in April 1976 with Mars Cowling on bass, and Roy Dyke on drums, Pat embarked on a tour of England in support of his debut. Adorned in a red and white jumpsuit displaying the maple leaf of his native Canada, Pat increased his following of fans. Trademarks of his early shows included giving away cardboard replicas of his black Fender Telecaster, playing barefoot, and inviting audience member to play “air guitar” on stage during the show. It was with this accessibility to the fans that Pat became an invited performer to the huge Reading Festival in 1976.

Pat released Makin’ Magic in 1977 and continued to tour again infront of huge crowds. It was after the release of his album “Putting It Straight” that Pat returned to the North America as the trend in the UK was leaning towards the punk rock revolution instead of the hard blues driven rock that Pat was producing.

Enlisting the talents of Tommy Aldridge and Pat Thrall and of course always inspirational Mars Cowling the release of “Heat In the Street” further strengthen his following. The album featured more of Pat’s sometimes elaborate songs which further proved that he wasn’t just a mere air headed guitar hero, but that of an accomplished composer and lyricist. Pat Thrall, a great guitarist as well, quickly rounded out the sound and provided Pat more freedom to do other things like expand his keyboard playing. Besides, Pat Thrall’s influence from his fusion background provided more fuel for Pat to write from. But Pat realized the best way to hear the Pat Travers Band was to hear it live. So, understanding this the band released its first live album “Go For What You Know” in 1979.

Considered one of his best albums and a “must have” for any guitar fan, “Go For What You Know” introduced many more fans to the music of Pat Travers. Some say that it was with this release that PT garnered his largest increase of fans. Since the album received large amounts of radio airplay and with successful tours with some of the biggest bands, Pat soon found himself at the center of attention amongst aspiring guitarists. The album was one of his best seller and still sells well even many years later.

More and more Pat was being considered a guitar hero, a description he himself was less comfortable with. Expressing himself more musically and with tonality Pat prided himself in these areas more than in speed and trickery. While Pat could certainly keep up with the “fastest” guitarists of the era, his first priority was more in the music than showing off what he could do on the guitar. With this rising respect, Pat found himself on the cover of Guitar Player magazine as the feature artist in January 1980.

In 1980 his release of “Crash And Burn” proved to be an expansion of his already excellent composing skills. The songs were more intricate and used a more diverse method of song delivery. Keyboards and vocals are the true highlight of this album as Pat flexed his musicianship muscles. And while not to disappoint his fans, he still plays awesome guitars on such burners as “Snortin’ Whiskey”.

Shortly after the there performance in 1980 at the Reading Festival Pat Thrall and Tommy Aldridge left the band. Not one to sit on his laurels, Pat was back in the studio to record “Radio Active” in 1981. This album marked a slight return to his roots by using the classic power trio format that made him a rising star in the UK. Following the album he embarked on a very successful tour co-headlining with Rainbow.

1982 saw the release of Black Pearl, and in 1984 the release of Hot Shot, and a video related release “Just Another Killer Day”. Several of Pat’s videos were even displayed on MTV.

Mired with problems with management, and with legal problems with Polydor, Pat soon stepped out of the recording industry but continued to tour and kept his contact with the thousands and thousands of fans he had from all the previous years. Once stated as “One forgotten by the industry, but never forgotten by the fans”, Pat still retained his fan base and still thrilled anyone who would come to see him perform.

In 1990 Pat re-entered the recording studio with Mars, Jerry Riggs and Scott Zymowski and released “School of Hard Knocks”, of course a title that could be considered a self appointed reflection on his career. The release not only strengthened his fans who were so glad to hear new PT, but also attracted more new fans.

After a successful tour in support of “School of Hard Knocks” in the UK, Pat once again toured the US and Canada where a concert in the town of his birthplace was recorded in 1990 and released as “Boom Boom, Live at the Diamond Club”. This album proved once again that PT is one to be reckoned with live, favoring the live environment instead of the trickery of the studio. It has been said that “live is where you separate the men from the boys”, and this release proves it. A video of the same show was also released and is well worth getting for any fan.

Since PT fans demanded more, and after thousands of requests on the BBC to replay Pat’s performances from the 1977 and 1980 Reading Festivals the BBC released “Pat Travers – BBC Live in Concert”. As one of the most requested archives in the BBC library it was released on Windsong in 1992 and is of course another of the “must haves” for any true fan.

This new found interest in his music prompted former record company nemesis Polydor to release “The Best of Pat Travers” in 1990, which also was the first release of his material on CD. In addition, Anthology Volume One and Two, a two CD set was also release in the UK and features even more of his material in the CD format. Soon other PT Classics, “Go For What You Know”, “Crash and Burn” were also released in the US on CD. Imports were released in Japan of “Heat in the Street”, and “Putting it Straight” was released in the UK.

Having been without a US based recording label for many years Pat soon signed with Mike Varney’s Blues Bureau International label in the US. The release of “Blues Tracks” in 1993 further expanded Pat’s library of sound. The songs are from the “greats” of the blues, many of who were influences of Pat’s, but Pat’ puts his flare and flavor to these great songs. Following Blues Tracks Pat issued Just a Touch, Blues Magnet, Halfway To Somewhere, Lookin’ Up, Best Of Blues + Live, Blues Tracks 2 and his latest release “Don’t Feed The Alligators” issued in 2000.

Pat’s Blues Bureau years are perhaps his most significant in that he has worked with many musicians and the songs feature more of the classic blues based guitar that fans crave. Some what of a return to the sounds and style that made us pure Travers fans in the first place.

While touring and supporting the latest releases Pat has been impressing old fans as well as new ones all over the US and Europe. Recent tours have featured such well known guitarists as Jeff Watson of Night Ranger, Rick Derringer, and Tim Keiffer of Cinderella. Touring musicians during the early Blues Bureau years included Sean “Cannon” Shannon, bassist Dave La Rue and bassist Kevin Rian. Pat punched out the tunes before adoring fans, in small clubs and stadiums with the same intensity he always had. Irregardless of the crowd size, Pat puts out the same effort night after grueling night.

In retrospect, Pat is gaining a resurgence in his career. After overcoming many problems that would have made most to give it up, Pat still pushes on. Which is much to the appreciation of the fans who continue to follow. Not only does Pat find himself once again climbing towards the top, he can also enjoy it with those that are close to him, his famaily. Pat’s wife Monica sings backup on many of Pat’s songs both in studio and live. His children Amanda and Elijah have inspired songs and certainly help to excite and inspire Pat to keep doing what he does best, and that is of course making some of the best music possible.

The Pat Travers Band continues to tour around the world, “Makin’ Magic” for their die hard fans. While Pat’s had some great musicians working with him on past tours he is currently working, recording and touring with Kirk Mckimm (Guitar)  Randy Lane  (drums) and Frank Rizzo McDaniel (bass). This band has a great time playing together, and it shows in what they bring to the stage night after night. They provide a nice, tight rockin’ platform for PT to lay down his signature licks against.

Much to the pleasure of his fans in 2001 – Pat has made available a LIVE recording of a very rare solo appearance, “Pat Travers Solo”. This CD includes the first time ever that Pat has done an acoustic set. It was recorded live at Nils Lofgren’s Guitar Bar in Henderson, Nevada.

2001 also saw Pat Travers join the “Voices of Classic Rock” tour, featuring a wide arrangement of musicians from the major bands of the ?70’s and ?80’s. Among them are the likes of bassist Glenn Hughes and vocalist Joe Lynn Turner of Deep Purple, John Cafferty, Spencer Davis, and Gary U.S. Bond, to name but a few. This tour features each artist doing two or three of their signature tunes. On this tour, PT is playing “Boom Boom”, “Snorting Whiskey”, and “HotShot”, as well as doing much of the lead guitar work on the other songs..

Drunvalo Melchizedek – Merkaba Meditation

Drunvalo Melchizedek – album:Merkaba Meditation(2000)

N	Track Title Click for download Drunvalo Melchizedek mp3
1	Meditation Breaths 1-17
2	Musical Interlude
3	Unity Breath Meditation
4	Sacred Song

Download Drunvalo Melchizedek mp3 album